Brat Farrar Page 2

  The twins had been asleep, and the older children upstairs grooming themselves for the welcome and for the dinner they were to be allowed to stay up for. In half an hour or so the car would swing out from the avenue of lime trees and come to rest at the door and there they would be; in a flurry of laughter and embracing and present-giving and well-being.

  The turning on of the wireless had been so absent-minded a gesture that she did not know that she had done it. "The two o'clock plane from Paris to London," said the cool voice, "with nine passengers and a crew of three crashed this afternoon just after crossing the Kent coast. There were no survivors."

  No. There had been no survivors.

  "They were so wrapped up in the children," Nancy said. "They have been so much in my mind lately, now that Simon is going to be twenty-one."

  "And Patrick has been in mine."

  "Patrick?" Nancy sounded at a loss. "Oh, yes, of course. Poor Pat."

  Bee looked at her curiously. "You had almost forgotten, hadn't you?"

  "Well, it is a long time ago, Bee. And-well, I suppose one's mind tidies away the things it can't hear to remember. Bill and Nora-that was frightful, but it was something that happened to people. I mean, it was part of the ordinary risks of life. But Pat-that was different." She sat silent for a moment. "I have pushed it so far down in my mind that I can't even remember what he looked like any more. Was he as like Simon as Ruth is like Jane?"

  "Oh, no. They weren't identical twins. Not much more alike than some brothers are. Though oddly enough they were much more in each other's pockets than Ruth and Jane are."

  "Simon seems to have got over it. Do you think he remembers it often?"

  "He must have remembered it very often lately."

  "Yes. But it is a long way between thirteen and twenty-one. I expect even a twin grows shadowy at that distance."

  This gave Bee pause. How shadowy was he to her: the kind solemn little boy who should have been coming into his inheritance next month? She tried to call up his face in front of her but there was only a blur. He had been small and immature for his age, but otherwise he was just an Ashby. Less an individual than a family resemblance. All she really remembered, now she thought about it, was that he was solemn and kind.

  Kindness was not a common trait in small boys.

  Simon had a careless generosity when it did not cost him inconvenience; but Patrick had had that inner kindness that not only gives but gives up.

  "I still wonder," Bee said unhappily, "whether we should have allowed the body that was found on the Castleton beach to be buried over there. A pauper's burial, it was."

  "But, Bee! It had been months in the water, hadn't it? They couldn't even tell what sex it was; could they? And Castleton is miles away. And they get all the corpses from the Atlantic founderings, anyhow. I mean, the nearer ones. It is not sense to worry over-to identify it with — " Her dismayed voice died into silence.

  "No, of course it isn't!" Bee said briskly. "I am just being morbid. Have some more coffee."

  And as she poured the coffee she decided that when Nancy had gone she would unlock the private drawer of her desk and burn that pitiful note of Patrick's. It was morbid to keep it, even if she had not looked at it for years. She had never had the heart to tear it up because it had seemed part of Patrick. But of course that was absurd. It was no more part of Patrick than was the despair that had filled him when he wrote: "I'm sorry, but I can't bear it any longer. Don't be angry with me. Patrick." She would take it out and burn it. Burning it would not blot it from her mind, of course, but there was nothing she could do about that. The round schoolboy letters were printed there for always. Round, careful letters written with the stylograph that he had been so attached to. It was so like Patrick to apologise for taking his own life.

  Nancy, watching her friend's face, proffered what she considered to be consolation. "They say, you know, that when you throw yourself from a high place you lose consciousness almost at once."

  "I don't think he did it that way, Nan."

  "No!" Nancy sounded staggered. "But that was where the note was found. I mean, the coat with the note in the pocket. On the cliff-top."

  "Yes, but by the path. By the path down the Gap to the shore."

  "Then what do you — ?"

  "I think he swam out."

  "Till he couldn't come back, you mean?"

  "Yes. When I was in loco parentis that time, when Bill and Nora were on holiday, we went several times to the Gap, the children and I; to swim and have a picnic. And once when we were there Patrick said that the best way to die-I think he called it the lovely way-would be to swim out until you were too tired to go any farther. He said it quite matter-of-factly, of course. In those days it was-a mere academic matter. When I pointed out that drowning would still be drowning, he said: 'But you would be so tired, you see; you wouldn't care any more. The water would just take you. He loved the water."

  She was silent for a little and then blurted out the thing that had been her private nightmare for years.

  "I've always been afraid that when it was too late to come back he may have regretted."

  "Oh, Bee, no!"

  Bee's sidelong glance went to Nancy's beautiful, protesting face.

  "Morbid. I know. Forget I said it."

  "I don't know now how I could have forgotten," Nancy said, wondering. "The worst of pushing horrible things down into one's subconscious is that when they pop up again they are as fresh as if they had been in a refrigerator. You haven't allowed time to get at them to-to mould them over a little."

  "I think a great many people have almost forgotten that Simon had a twin," Bee said, excusing. "Or that he has not always been the heir. Certainly no one has mentioned Patrick to me since the coming-of-age celebrations have been in the air."

  "Why was Patrick so inconsolable about his parents' death?"

  "I didn't know he was. None of us did. All the children were wild with grief to begin with, of course. Sick with it. But none more than another. Patrick seemed bewildered rather than inconsolable. 'You mean: Latchetts belongs to me now? I remember him saying, as if it were some strange idea, difficult to understand. Simon was impatient with him, I remember. Simon was always the brilliant one. I think that it was all too much for Patrick; too strange. The adrift feeling of being suddenly without his father and mother, and the weight of Latchetts on his shoulders. It was too much for him and he was so unhappy that he-took a way out."

  "Poor Pat. Poor darling. It was wrong of me to forget him."

  "Come; let us go and get those eggs. You won't forget to let me have Alec's address, will you? A Ledingham must have an invitation."

  "No, I'll look it up when I go back, and telephone it to you. Can your latest moron take a telephone message?"

  "Just."

  "Well, I'll stick to basic. You won't forget that he is Alec Loding on the stage, will you?" She picked up her basket from the sideboard. "I wonder if he would come. It is a long time since he has been to Clare. A country life is not Alec's idea of amusement. But an Ashby coming-of-age is surely something that would interest him."

  3

  But Alec Loding's main interest in the Ashby coming-of-age was to blow the celebrations sky-high. Indeed, he was at this moment actively engaged in pulling strings to that end.

  Or, rather, trying to pull strings. The strings weren't pulling very well.

  He was sitting in the back room at the Green Man, the remains of lunch spread before him, and beside him sat a young man. A boy, one would have said, but for something controlled and still that did not go with adolescence. Loding poured coffee for himself and sugared it liberally; casting a glance now and then at his companion, who was turning an almost empty beer glass round and round on the table. The movement was so deliberate that it hardly came under the heading of fidgeting.

  "Well?" said Loding at last.

  "No."

  Loding took a mouthful of coffee.

  "Squeamish?"

  "I'm n
ot an actor."

  Something in the unaccented phrase seemed to sting Loding and he flushed a little.

  "You're not asked to be emotional, if that is what you mean. There is no filial devotion to be simulated, you know. Only dutiful affection for an aunt you haven't seen for nearly ten years-which one would expect to be more dutiful than affectionate."

  "No."

  "You young idiot, I'm offering you a fortune."

  "Half a fortune. And you're not offering me anything."

  "If I'm not offering it to you, what am I doing?"

  "Propositioning me," said the young man. He had not raised his eyes from his slowly-turning beer.

  "Very well, I'm propositioning you, to use your barbarous idiom. What is wrong with the proposition?"

  "It's crazy."

  "What is crazy about it, given the initial advantage of your existence?"

  "No one could bring it off."

  "It is not so long since a famous general whose face was a household word-if you will forgive the metaphor-was impersonated quite successfully by an actor in broad daylight and in full view of the multitude."

  "That is quite different."

  "I agree. You aren't asked to impersonate anyone. Just to be yourself. A much easier task."

  "No," said the young man.

  Loding kept his temper with a visible effort. He had a pink, collapsed face that reminded one of the underside of fresh mushrooms. The flesh hung away from his good Ledingham bones with a discouraged slackness, and the incipient pouches under his eyes detracted from their undoubted intelligence. Managers who had once cast him for gay young rakes now offered him nothing but discredited roues.

  "My God!" he said suddenly. "Your teeth!"

  Even that did not startle the young man's face into any expression. He lifted his eyes for the first time, resting them incuriously on Loding. "What's the matter with my teeth?" he asked.

  "It's how they identify people nowadays. A dentist keeps a record of work, you know. I wonder where those kids went. Something would have to be done about that. Are those front teeth your own?"

  "The two middle ones are caps. They were kicked out."

  "They went to someone here in town, I remember that much. There was a London trip to see the dentist twice a year; once before Christmas and once in the summer. They went to the dentist in the morning and to a show in the afternoon: pantomime in the winter and the Tournament at Olympia in the summer. These are the kind of things you would have to know, by the way."

  "Yes?"

  The gentle monosyllable maddened Loding.

  "Look, Farrar, what are you frightened of? A strawberry mark? I bathed with that kid in the buff many a time and he hadn't as much as a mole on him. He was so ordinary that you could order him by the dozen from any prep. school in England. You are more like his brother at this moment than that kid ever was, twins though they were. I tell you, I thought for a moment that you were young Ashby. Isn't that good enough for you? You come and live with me for a fortnight and by the end of it there won't be anything you don't know about the village of Clare and its inhabitants. Nor anything about Latchetts. I know every last pantry in it. Nor anything about the Ashbys. Can you swim, by the way?"

  The young man nodded. He had gone back to his glass of beer.

  "Swim well?"

  "Yes."

  "Don't you ever qualify a statement?"

  "Not unless it needs it."

  "The kid could swim like an eel. There's the matter of ears, too. Yours look ordinary enough, and his must have been ordinary too or I should remember. Anyone who has worked in a life-class notices ears. But I must see what photographs of him exist. Front ones wouldn't matter, but a real close-up of an ear might be a give-away. I think I must take a trip to Clare and do some prospecting."

  "Don't bother on my account."

  Loding was silent for a moment. Then he said, reasonably: "Tell me, do you believe my story at all?"

  "Your story?"

  "Do you believe that I am who I say I am, and that I come from a village called Clare, where there is someone who is practically your double? Do you believe that? Or do you think that this is just a way of getting you to come home with me?"

  "No, I didn't think it was that. I believe your story."

  "Well, thank heaven for that, at least," Loding said with a quirk of his eyebrow. "I know that my looks are not what they were, but I should be shattered to find that they suggested the predatory. Well, then. That settled, do you believe that you are as like young Ashby as I say?"

  For a whole turn of the glass there was no answer. "I doubt it."

  "Why?"

  "On your own showing it is some time since you saw him."

  "But you don't have to be young Ashby. Just look like him. And believe me you do! My God, how you do! It's something I wouldn't have believed unless I saw it with my own eyes; something I have imagined only happened in books. And it is worth a fortune to you. You have only to put out your hand and take it."

  "Oh, no, I haven't."

  "Metaphorically speaking. Do you realise that except for the first year or so your story would be truth? It would be your own story; able to stand up to any amount of checking." His voice twisted into a comedy note. "Or-would it?"

  "Oh, yes, it would check."

  "Well, then. You have only to stow away on the Ira Jones out of Westover instead of going for a day trip to Dieppe, et voila!"

  "How do you know there was a ship called the Ira Jones at Westover about then?"

  "'About then'! You do me scant justice, amigo. There was a ship of that repellent title at Westover the day the boy disappeared. I know because I spent most of the day painting her. On canvas, not on her plates, you understand. And the old scow went out before I had finished; bound for the Channel Islands. All my ships go out before I have finished painting them."

  There was silence for a little.

  "It's in your lap, Farrar."

  "So is my table napkin."

  "A fortune. A charming small estate. Security. A — "

  "Security, did you say?"

  "After the initial gamble, of course," Loding said smoothly.

  The light eyes that looked at him for a moment held a faint amusement.

  "Hadn't it occurred to you at all, Mr. Loding, that the gamble was yours?"

  "Mine?"

  "You're offering me the sweetest chance for a double-cross that I ever heard of. I take your coaching, pass the exam, and forget about you. And you wouldn't be able to do a thing about it. How did you figure to keep tabs on me?"

  "I hadn't. No one with your Ashby looks could be a double-crosser. The Ashbys are monsters of rectitude."

  The boy pushed away the glass.

  "Which must be why I don't take kindly to the idea of being a phoney. Thank you for my lunch, Mr. Loding. If I had known what you had in mind when you asked me to lunch with you, I wouldn't have — "

  "All right, all right. Don't apologise. And don't run away; we'll go together. You don't like my proposition: very good: so be it. But you, on the other hand, fascinate me. I can hardly take my eyes off you, or believe that anything so unique exists. And since you are sure that my improper proposal to you has nothing of the personal in it, there is nothing against our walking as far as the Underground together."

  Loding paid for their lunch, and as they walked out of the Green Man he said: "I won't ask where you are living in case you think I want to hound you. But I shall give you my address in the hope that you will come to see me. Oh, no; not about the proposition. If it isn't your cup of tea then it isn't your cup of tea; and if you felt like that you certainly wouldn't make a success of it. No, not about the proposition. I have something in my rooms that I think would interest you."

  He paused artistically while they negotiated a street crossing.

  "When my old home, Clare, was sold-after my father's death- Nancy bundled together all the personal things in my room and sent them to me. A whole trunkful of rubbish, which I ha
ve never had the energy to get rid of, and a large proportion of it consists of snapshots and photographs of the companions of my youth. I think you would find it very interesting."

  He glanced sideways at the uncommunicative profile of his companion.

  "Tell me," he said as they stopped at the entrance to the Underground, "do you play cards?"

  "Not with strangers," said the young man pleasantly.

  "I just wondered. I had never met the perfect poker face until now, and I should be sorry if it was being wasted on some nonconformist abstainer. Ah, well. Here is my address. If by any chance I have fled from there the Spotlight will find me. I am truly sorry I couldn't sell you the idea of being an Ashby. You would have made an excellent master of Latchetts, I feel. Someone who was at home with horses, and used to an outdoor life."

  The young man, who had made a gesture of farewell and was in the act of turning away, paused. "Horses?" he said.

  "Yes," Loding said, vaguely surprised. "It's a stud, you know. Very well thought of, I understand."

  "Oh." He paused a moment longer, and then turned away.

  Loding watched him as he went down the street. "I missed something," he was thinking. "There was some bait he would have risen to, and I missed it. Why should he have nibbled at the word horse? He must be sick of them."

  Ah, well; perhaps he would come to see what his double looked like.

  4

  The boy lay on his bed in the dark, fully dressed, and stared at the ceiling.

  There were no street lamps outside to illuminate this back room under the slates; but the faint haze of light that hangs over London at night, emanation from a million arcs and gas-lights and paraffin lamps, shone ghost-like on the ceiling so that its cracks and stains showed like a world map.